Buddhist Thoughts is
the SLC Buddhist Temple newsletter which is mailed to Temple members
each month. Here we provide excerpts from archival Buddhist
Thoughts.
2004 May
Why
We Dance
by J.K. Hirano
Though
I, my life having run its course,
Return
to the Pure Land of Eternal Rest,
Come back shall I to Earth again and again
Even as the waves of Wakano-ura Bay.
When alone you rejoice in the Sacred Teachings
Believe that there are two.
And when there are two to rejoice
Believe that there are three.
And that other shall be I Shinran.
The
first Obon is said to have been held in China in
538 CE. As
Buddhism traveled from China to Korea, from Korea
to Japan and now into the United States, the meaning
and type of Obon festivities have evolved depending
on the culture of the country. In
Japan, where Jodo Shinshu finds its roots, Obon
is often explained as the time when Buddhists welcome
the souls of their ancestors for a three-day visit to the world of the
living. This is quite contrary
to the beliefs of our celebration of Obon.
In orthodox Buddhism, especially Jodo Shinshu, there is no such thing
as an eternal soul, unique and distinct to each individual. Therefore,
there can be no nether worlds occupied by disembodied souls floating
about, returning once a year, demanding sacrifices and offerings from
the living and then dispensing benefits or curses accordingly. This
explanation of Obon is nothing more than a simplistic folk superstition
that will not suffice for our Jodo Shinshu system of belief.
The
Obon and Hatsubon service along with the Bon odori
are not a mere cultural entertainment. It is not a quaint
addition to the cultural diversity of our Salt Lake Community.
Although our Obon Festival is a time when a wide variety
of individuals come together to celebrate along
with us. The
entire weekend is a memorial service for the dead
and an acknowledgment and celebration of the continuing
influence of our deceased relatives upon our present
lives. Thus
a celebration of we the living at this moment in
time. For
we are profoundly molded and influenced by the
past actions in thought, speech and the physical
acts of our ancestors. Those
past actions continue to affect who and what we
are at this moment. We
in turn affect the future, as a result of the actions
we create. It
is a revolving cycle of birth and death from moment
to moment. This
awareness speaks to us at the deepest levels that
we are not alone. Our
Obon Festival and Obon and Hatsubon service is
a wonderful opportunity to remember those who have
died, accepting and forgiving in our continuing
relationship with them. As
we prepare for the Obon Festival with the dance
practices and food preparations, let us not forget
all those that have come before us, to allow us
this wonderful celebration.
As
a child I remember coming to the practices and
seeing all the other children and adults laughing
and having fun. It
was a positive reinforcement of the life of my
temple. The
hundreds of people who came for the Bon odori,
made me proud to be a Buddhist. This
was a time when I realized the Nembutsu teaching
was not only for Sunday mornings. Over
the years, I have come to see how much work is
involved to bring about those wonderful memories. Now
I am able to see, speak and act in ways to show
those involved in Obons past, that their efforts
were worth the time and energy expended.
Now I will bring my daughters Kacie and Taylor,
to see their parents, family and friends enjoy this time
together. In
time we will speak about how their Grandmother loved
dancing in the Obon. How
the cedar chest at Grandpa's house filled with Yukatas and other Japanese paraphernalia belonged
to their Grandma who is no longer physically with us. Through our dancing and participation in the service, I
will show them that Grandma is still a part of us,
embracing, laughing and enjoying this time we share.
I can explain to them how
the poem I began this article with, is Shinran's understanding of how our past relationships continue to influence the
life we live. How as we dance
in Obon or recite the Nembutsu, their grandmother is there with them, along
with Shinran and countless of others. My
hope will be that in their time and turn. They
will be able to share these insights with their children and grandchildren. As
our temple continues to prosper in the light of Amida's wondrous compassion. Won't
you join us in this wonderful event? You
are never too old to dance, never too old to say Namo Amida Butsu!
I would like to close this month's
article with one of my favorite poems about Bon odori. It
was written by Rev. Mas Kodani and is included in his book Dharma
Chatter, it=s
called Senshin Bon Odori. However,
for all it=s
meaning. It could be
called Salt Lake Bon Odori. Even though you are happy,
you should dance.
Even though you are sad, you should dance.
Even though you are excited with living, you should dance.
Even though you are bored with living, you should dance.
Even
though you are embarrassed to put on Yukata and
Geta and dance, you should dance.
Even though you put on Yukata and Geta and swagger
like a puffed-up chicken, you should dance.
When old friends come to visit, you smile and laugh
and act the fool.
Why then so timid and somber when remembering your
ancestors?
As a leaf falls from a tree and flutters to the ground,
showing all sides of itself, front and back, so should
you dance.
Even though you are a congealed mass of greed, anger,
stupidity, you should dance.
Even though you are an enlightened saint, you should
dance.
Dance not for form, dance not for show, dance not for
grace, dance not awkwardly to conceal your awkwardness,
dance not for identity, dance not for Japaneseyness.
Dance to dance; your ancestors and relatives are your
ancestors and relatives because they are your ancestors
and relatives; dance to dance because you dance.
Heavy, Heavy, Odore, Odore! Bummer, Bummer, Odore,
Odore!
Kekko,
Kekko, Odore, Odore!
Chikusho, Shikusho, Odore, Odore!
Bonno no katamari, Bodai no Jiyu.
Soku Soku, Toku Toku Amidabutsu.
Kekko Kekko, Odore Odore!
Odoranu Aho-san, Odore Odore!
Namuamidabutsu,
tada Odore!
Choi,
Choi!
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